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Pompous names, bizarre ads, hundreds of new scents a year?the multibillion-dollar business of fragrance has long resisted understanding. At last the first critical?and critically acclaimed?guide to perfume illuminates the mysteries of this secretive industry. Lifelong perfume fanatics Luca Turin (best known as the subject of Chandler Burr?s The Emperor of Scent) and Tania Sanchez exalt, wisecrack, and scold through their reviews with passion, eloquence, and erudition, making this book a must-have for anyone looking for a brilliant fragrance?or just a brilliant read.
- Sales Rank: #840008 in Books
- Published on: 2009
- Original language: English
- Number of items: 1
- Dimensions: 7.48" h x 1.38" w x 5.51" l, 1.10 pounds
- Binding: Paperback
- 624 pages
Amazon.com Review
The first book of its kind: a definitive guide to the world of perfume
Luca Turin and Tania Sanchez are experts in the world of scent. Turin, a renowned scientist, and Sanchez, a longtime perfume critic, have spent years sniffing the world's most elegant and beautiful--as well as some truly terrible--perfumes. In Perfumes: The Guide, they combine their talents and experience to review more than twelve hundred fragrances, separating the divine from the good from the monumentally awful. Through witty, irreverent, and illuminating prose, the reviews in Perfumes not only provide consumers with an essential guide to shopping for fragrance, but also make for a unique reading experience.
Perfumes features introductions to women's and men's fragrances and an informative "frequently asked questions" section including:
• What is the difference between eau de toilette and perfume?
• How long can I keep perfume before it goes bad?
• What's better: splash bottles or spray atomizers?
• What are perfumes made of?
• Should I change my fragrance each season?
Perfumes: The Guide is an authoritative, one-of-a-kind book that will do for fragrance what Robert Parker's books have done for wine. Beautifully designed and elegantly illustrated, this book will be the perfect gift for collectors and anyone who's ever had an interest in the fascinating subject of perfume.
Picking a Perfect Perfume
For Perfumes: The Guide, Luca Turin and Tania Sanchez tested nearly 1,500 fragrances--some glorious, some foul. Here they offer some humble advice on finding something worth loving among the stinkers.
1. Smell top to bottom
Perfumes usually unfold in three (often very different) stages: the sparkling first few minutes are the fragrance's top note, followed by its true personality, known as the heart note, and ending with the base note, aka the drydown, hours later. Something you love at the counter you may loathe by the parking lot. We recommend top-to-bottom tests on skin and on paper, since some scents that disappoint on the heat of skin may shine on your shirtsleeve.
2. Write it down
Bring a pen to write names on paper test strips, so you're not in anguish hours later, trying to recall which is the third scent from the left that transports you to Shangri-La. Keep a cheap, possibly extremely trashy paperback on hand, so you can store strips between pages to keep them separate.
3. Rest your nose
Noses tune out, which is why you can smell your friends' homes but not your own. Smell no more than five scents per day on paper strips and try on only the best one or two, to keep your nose reliable.
4. Check the radiance
To get a good sense of how the perfume will smell to other people as you walk past, try spraying a test strip and leaving it in the room while you step out for a bit. Come back fifteen minutes later and breathe in: that's the radiance.
From Publishers Weekly
Starred Review. Less a guide in the sense of helping people choose the perfect fragrance than a wide-ranging, critical review of some 1,200 perfumes, both famous and obscure, this comprehensive book is unfailingly entertaining. A collaboration between Turin, a well-known olfactory scientist, and Sanchez, a perfume collector and critic, the book brings their exquisite connoisseurship to life in a contagious manner. Their passion for a few scents and their outrage at the others' failings make for entry after entry of hilarious, catty comments interspersed with occasional erudite, eloquent disquisitions. French perfumery Guerlain is subject to both: Jicky is an object lesson in perfumery... a towering masterpiece, while Aqua Allegoria Pivoine Magnifica is like chewing tin foil while staring at a welding arc. Other startlingly evocative metaphors abound, especially those comparing perfumes to people, whether someone real (Amy Winehouse, Paris Hilton) or a general type (socialites, someone ill with bronchitis). This will be a must-have for anyone who already loves perfumes, though many of the reviews will cause violent disagreement, and those who aren't utterly perfume-obsessed will still appreciate the opening essays on olfactory science, the history of perfume, general types of fragrances and how to choose perfumes. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
aWhile the authors embrace point systems and science, they also offer vivid, funny, evocative descriptions of the smells they write abouta]To enjoy "Perfumes," you donat need to know, or even to like, perfumes, such is the brio of Turinas and Sanchezas prosea]This is fun to read a and a rare pleasure, tooa]The joy of Turin and Sanchezas book, however, is their ability to write about smell in a way that manages to combine the science of the subject with the vocabulary of scent in witty, vivid descriptions of what these smells are like. Their work is, quite simply, ravishingly entertaining, and it passes the high test that their praise is even more compelling than their criticisma]Its blend of technical knowledge and evocative writing is exemplary in the strict sense: people who write about smell and taste in any context should use it as an example.a
-"The New Yorker"
aThis comprehensive book is unfailingly entertaininga]Their passion for a few scents and their outrage at the othersa failings make for entry after entry of hilarious, catty comments interspersed with occasional erudite, eloquent disquisitionsa]This will be a must-have for anyone who already loves perfumesa]and those who arenat utterly perfume-obsessed will still appreciate the opening essays on olfactory science, the history of perfume, general types of fragrances and how to choose perfumes.a
-"Publishers Weekly," starred review
aAfter spending the better part of a weekend reading a galley a often aloud to anyone willing to listen a I'm convinced Turin and Sanchez offer some of the most stylish, erudite and hilarious criticism in any subject field.a
-"Dallas Morning News"
"Ravishingly entertaining. . . . Its blend of technical knowledge and evocative writing is exemplary in the strict sense: people who write about smell and taste should use it as an example."
-"The New Yorker"
"As vivid as any criticism I've come across in the last few years, and what's more a revelation: part history, part swoon, part plaint."
-Jim Lewis, "Slate"
Most helpful customer reviews
94 of 96 people found the following review helpful.
Kindle Version Outdated
By rob brown
The only way to get the newer, updated edition of this book is to buy the paperbook edition.
The Kindle edition is actually taken from the older, outdated hardback edition; which is to say it does not contain the numerous updates, new reviews(~450) and new Top 10 lists.
4 of 4 people found the following review helpful.
Indispensable, but Outdated
By Amazon Customer
As of 2016, this delightfully written guide to perfume stands as one of a kind. The authors have done their best to provide a reasonably exhaustive. delightfully opinionated guide to educating yourself about fragrance, as well as selecting and buying it. Most of us don't have the cash or the access to try this many fragrances at our leisure, and even if we do, we need some guidance--some history, some framework, some understanding of what we're smelling and what the big deal is.
These guys really do know how to break scents down. I don't agree with them all the time, but at least now I have a critical framework to hang my onions on. And they are hilarious when they hate something. Still, I hope it goes without saying that choices about scent are personal, and if they trash something you love, so what? Chances are you won't love everything they recommend--although you should try to at least get your hands on a sample to find out what they're talking about.
Two gripes.
One: this book is nearly a decade old. It doesn't need an update; it needs a second volume. A revolution in niche fragrance (perhaps kick started by this book, among other things) and a decade's worth of new releases from mainstream houses seem to call for another volume.
Second: *general* ($-$$$$) price points in would be nice, somewhere in the reviews. It seems that the reviewers often have a particular grudge against a fragrance house as a whole, and I wonder if it may have something to do with price-to-quality ratio. This may be an editorial decision, but I see no shame in calling out a producer who overcharges gullible consumers for luxury goods that promise substance and don't even deliver style.
Even so, if we need critics for anything, we need them to help us broaden our horizons, and to help us discern quality and value along the way. Bravo, Mr, Turin and Ms, Sanchez. Please write another book, and tell us what you've found in the last 9 years.
0 of 0 people found the following review helpful.
Outstanding, groundbreaking, thorough, passionate and funny. A Defense of Perfumes The Guide
By Xiane
This is a comment I made to another review that I decided to post as a review as well.
This is a brilliant, original, funny, thought provoking and informative book. At the time it was written there was nothing like it, and nothing surpasses it.
I have learned far more from this book about scent, combinations of scent and the appreciation of them than I have from anything else I've encountered. It delighted me, and also instructed me on new and helpful ways to approach sensory evaluation in my work (wine). I absorbed more about approaching and categorizing sensory evaluation and bringing life, interest, precision and structure to it than I have from any number of oenology texts and professional articles. Not that most of those books or articles were bad, but that this book is that good.
Yes, this is high level criticism from people who rank somewhere beyond "enthusiast" in their interest in the subject. What fascinates them, like what fascinates or delights most devotees of anything, goes well beyond what the majority of people would wish or need to know about the subject. Their encyclopedic knowledge, incisive writing and vast passion for the subject mean much more to me, however, than a paragraph of disclaimers about heat index, humidity, skin pH, age, the fact that you woke up grumpy and some sort of contrived "grading rubric" would.
Also, I find them hilarious. Their positive reviews are rhapsodic, their negative ones, blistering - passion combined with piercing discernment.
Honestly, I don't care what the mainstream world thinks of most perfumes. Give me the obsessive interests, strong opinions and vaulting enthusiasms of Luca Turin and Tania Sanchez over what some other reviewers seem to want - the po-faced seriousness and studied middle-of-the-road dullness and strained objectivity of a Consumer Reports article about perfume. If you're looking for The Consumer Reports Guide to Perfume and Fragrance, and little gray bubbles in columns, this isn't it.
But how can a regular person benefit from such a work? Let's take an example nearly every American over a certain age knows. Siskel and Ebert. I think they were so successful at critiquing film for mainstream audiences because it was easy to get a sense of each critic's approach. You learned that you could trust their opinions, sometimes in a negative way. But they weren't just mainstream, they saw everything. They were film obsessives. That obsession sometimes helped some obscure movies find a wider audience, and encouraged millions of people to try some things they might have avoided otherwise, or to go watch an older masterpiece at home. This is the case for me with this book. It's pretty easy to spot where you and the reviewers will agree or disagree after a trip to the perfume counter, and then the book is more valuable still.
Some critiques seem to suggest this book is for elitists, or the pretentious. I couldn't disagree more. Turin and Sanchez clearly believe perfume is a form of high art accessible to almost anybody. So if you're looking for something agreeable, solid, mainstream, and affordable they identify such products quite well. They heap praise on Old Spice, Stetson and Tommy Girl for example- that's pretty much the opposite of pretension to me. They mainly insist that whatever you wear, at any price point, be good. And they suggest, time and again, that price and enjoyability are rarely linked, except in the necessary expense of certain natural components. And they tell you who spends the money for "the good stuff" and who doesn't.
Pretty much every technical criticism leveled against the book concerning both the subjective qualities and chemical difficulties of perfume analysis is acknowledged by the authors, by the way. In the end, you simply can't account for everything, for everyone, but with such a vast storehouse of reviews, with consistent voices, you can find a solid shared grounds for analysis quite easily in my opinion. Which is sort of the point of expert analysis and critique, really.
There is also a line of criticism here that runs along the lines of "But I can just read stuff on the internet about this, it's the same. It's just like, someone's opinion, man." So, art criticism has an element of subjectivity to it. Who knew?
That criticism entirely misses the point. The point is finding true experts who voices you trust. Sure, that trusted advice certainly could come from an online community. When I need a medical diagnosis, or financial advice, I trust the random collection of experts I find on the internet. Opinions are just opinions. Why would you ask a doctor what her opinion is when you can just ask the internet? Why read a PhD who theorized an entirely new, and quite possibly correct, mechanism for scent when it's just, like, his opinion man?
The main trouble to me is that dozens of new perfumes are introduced every year. The book will fall ever further behind on new releases, and things that are being aggressively marketed until there is a new edition. But that's small potatoes to me. Almost all the greats, and classics they talk about are available to try somewhere, even via an internet sampler. That's where to start anyway, to learn how this stuff works, and how to translate the words into scents.
(Finally the critiques of various other critics are sort of hilarious - "How can he rate this five stars when I absolutely hated it! Worthless!" )
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